‘…we are presented with yet another collection of superbly written, beautifully simple and intoxicating pop songs that leave me in that same state of utter incomprehension I experienced six years ago as to how and why BOB slipped through the net. I mean, the core album, which outdoes most of the dross we were offered back in the day under the overused banner of Brit-Pop, was recorded in just five days. FIVE DAYS! That’s almost biblical…’
‘…Recorded in 1992, this collection of songs finds BOB at both lyrical and musical peaks. ‘Say You’re Alone’ and ‘Telepathy’ are instantly hummable, singalong, radio-friendly tracks that could easily have found themselves nudging the Top 40 with the right label support. ‘Sundown’, based around a grunge, bluesy riff that you might have heard with trailers for the album remains as timeless as much of the band’s previous output…’
‘…It’s at this uncertain point we find BOB on You Can Stop That For A Start. They pushed ahead with recording their second album to a background of considerable uncertainty, but still managed to finish a work that displayed none of the behind the scenes problems. In the end, the record wasn’t released at the time, which is a real shame as it shows a mature and cultured outfit that had the musical muscle to match their wry and well-observed songs…’
‘They say good things come to those who wait, but 28 years is pushing it, surely. At the end of September, late ‘80s/early ‘90s indie force and WriteWyattUK favourites BOB are finally releasing You Can Stop That For A Start, their long-playing follow-up to 1991’s Leave the Straight Life Behind. The … erm … old new album, initially written and recorded in 1992, is accompanied by a selection of demo recordings from 1988/1994…’